I've begun this blog every day for almost two weeks. I'm not sure why I have such a hard time with it. I'm certainly chatty enough on the phone and I'm moderately witty on Facebook on a routine basis. I think I've been reluctant to blog, because I have to sum up how I feel about what's been happening with my life. I have had trouble doing that without sounding like I'm complaining unduly or I'm really pessimistic. I'm not actually. I realized today that I have very little patience for idiocy of any kind anymore. It's cliché, I suppose, but it's true. After being so close to death, I feel like I should be making the most of the new chance I've been given. I don't have time to waste on anything that isn't going to get me where I want to go or is less than satisfying for me in some fashion. For instance, there are times when I'd rather watch a rerun of Ironside (Perry Mason as a 1970s era police detective in a wheelchair) than deal with people that are a waste of my time. I find watching that show strangely fascinating. In the last few weeks, I've had a few encounters where I have expressed my impatience in no uncertain terms. They've overshadowed how I've felt about what has been a very interesting and potentially momentous few weeks. I can even tell you about most of it.
We now return to the blog that was already in progress.
I look back on the last two weeks with excitement and exhaustion. I've had trouble doing a blog about it, because I still don't know how I feel about it. Let's start with the good stuff. I survived almost a week on shoot that was 12 hours overnight (6pm to 6am) in a 4 story location where use of the steep staircase was mandatory. The whole prospect was frightening. I can have so many issues that can keep me from really getting out of bed on any given day. I still never know when that day will be. But there were many reasons that I very much wanted to work this shoot. The most important reason was to prove to myself that I can do the work in some fashion. I knew that I couldn't run around as I once did, but I could do some things. I was very grateful to the producers to be given the opportunity.
No Place Like This Home
Some of the crew remarked that it would be cool to live in that mansion way up in the Hollywood Hills. I Demonspawn there. Most of the rooms that faced the east had these gigantic electronic black out shades. I could see Simon Molinar totally renting a place with that many large windows as a lark and because no one would think of him renting such a place. I actually had a chat with the very nice young men who were running the location about a short shoot there. That kind of location can really sell the notion of a hero with deep pockets. One scene goes a very long way. Here is the house in all of its glory though there are many rooms not shown. http://www.coldwellbankerpreviews.com/property/280715974 Where the sister property is the one I think would be more to Simon's tastes because it has more woods and darker colors. I just see Simon as liking that more. http://www.estately.com/listings/info/6451-weidlake-drive
I set up in the suite of rooms commandeered for make-up, wardrobe and the green room. (See Pics Below) This suite was on the third floor. That meant that I only had to walk or down one floor to get done anything that I needed to do. My job was to coordinate a campaign on social media to raise awareness amongst Trek fans about Unbelievable!!!!!, a sci-fi spoof starring actors from almost all of the Trek series. I took some photos, but I mostly chose amongst the hundreds of shots being taken by the set photographers. In addition to that, I did some on the spot interviews and some short acting bits to run on the film's Facebook page, blog page and Twitter page. It's a lot of grabbing what I need in between takes or during down time. It's also a lot of monotonous photo sizing and color correcting. It was an easy yet strangely demanding job that was stressful around the edges. And then there was the over night shift. I do not like working hours like that. Despite being a long time night owl and often suffering from insomnia, there is something about having to stay awake all night long that is really grueling.
But Deb, aren't you a gigantic Trek fan, you might ask. Weren't you in a documentary for being a gigantic Star Trek: Voyager. The producer, Brannon Braga, mentioned the stories while being interviewed for the documentary. The stories could have been about anything at all. They just happened to be about characters from a Trek series. And while I am a fangirl, I've also been a filmmaker for a very long time. Actors need space to get ready to work. You interact with them strictly on their terms. This seems especially true of the younger Trek actors. Every one of them was cordial but distant until they figured out that someone identified as a fan was paying no attention to where they were in the room until they needed to communicate with them. That was easy enough for me to do. I had too much to do on location and at home to follow every move of an actor. All of my projects were on going, so I had to keep an eye on them as well as stay on top of things on set. I was actually keeping track of chats on Facebook, Skype and my phone while doing everything else. This is a very funny position for me to be in. I fought having a smart phone up until last year. Now, there is that, the laptop and a Kindle Fire in my life. Very bizarre. The upshot is that after the first day of the shoot, the Trek actors were comfortable enough with me that one was sharing a bedroom with me and I was in the bathroom with three others while they got their make-up done. They talked freely about a surprising array of things around me. It was most pleasing to this fangirl!
The job was fun and interesting and I did what I could to mitigate the physical impact of the job. But that building and that shift kicked my ass. In addition to the hours, I had to commute downtown and meet Ralph for the drive to the location. That meant getting up a couple hours earlier than I would if I were going to a regular job. Add to that, winding down enough to sleep when I don't normally sleep (vodka comes in handy). I never got more than 3 or 4 hours sleep before I was due to start it all over again. Meanwhile, our fridge was dying. That threw a huge monkey wrench into the lunch and dinner situation and stressed me out even more. I really can't function without a working fridge. By the end of the work week (Saturday), I was shell shocked. My eyes were continuously burning. I still had hundreds of photos and a dozen videos to process. We also had enough money to get a new fridge without incurring anymore debt. Sweet! And I survived to fight another day. All the work I did for that film is for naught, but the fact that I was able to do any of it was the more important thing for me. And we found some major locations for the web series. Here's the latest on that: http://demonspawntales.blogspot.com/2013/08/updates-from-hollywood-mansion.html .
Meanwhile, Back at Sybpress
Sybpress has released its latest title, an anthology in tribute to Anais Nin. From the Four Chamberedhttp://tinyurl.com/mgsx4v3 . Find out about our super fun book launch in the next blog. I promise that will be only a few days from now!
Now, go and enjoy the photos of our adventures from the last couple of weeks! I'll post more photos and even some video of my adventure next time. And, as always, Stay tuned!
|Me and Nichelle Nichols!!|
|Maxi during the Demon Under Glass Shoot.|
|My desk at the shoot.|
|Another view of my office at the shoot.|
|My office view from the desk.|
|Film shoot at the Farmers Market.|
|Marie's birthday buffet a la me!|
|Jon made the chess set out of cardboard and paint.|
|A croissant/doughnut combo called a cronut. I made it.|
|Farmers Market Tomatoes.|