It's been a while since my last blog. I thought I'd warm up with a writer's blog. The question I'm answering from my readers is 'Where do my ideas come from?'
I suppose if a casual reader looked at my body of erotica works, the variety of themes that have no relation to one another must look odd. No two settings are alike. The titles that are in the works will likely cause more confusion than clarity. Let's see, there is a new title set in the Regency era of England and another that is in the corporate world of Manhattan and rarefied world of the Hamptons. These will join the other series that span realms that have magical elves and dragons to a New Jersey town where the children of the night hang out in dive bars. My head is often a rollicking, boisterous place.
But how does this happen? The short answer is it's Jon fault. I'll explain that in a little while. Let's do a mini countdown, shall we?
- I was going to write fanfic because I loved/hated the original then decided to do new work.
The Surrender books originated with my mad love for Lord of the Rings fanfic. There were some works that were so amazing that I was convinced the writers were closeted professionals. I adored
their takes on the characters and how they immersed readers in those realms. So, I wanted to try my hand. I was already an infamous fanfic writer with a few series going. Then, I was chatting with an Industry friend who argued that I should spend all of that creative energy on something that could provide an income. That was true. Fanfic never kept me from writing scripts or doing Producer things, but I was hungry for some professional creativity that didn't involve budgets and fighting with my own department heads.
The Surrender books set out to be a typical fantasy romance. It really did. But as Jon often says, I can't resist subverting tropes and then making that twisted version seem reasonable. That is what makes me a very dangerous Domme when I have a mind to be. Thus, the story of a royal princess who is forced to marry in order to save her kingdom becomes a tale of subtle Dominance and submission. I even tried to beat the record for the longest first sex scene that is still held by the amazing Thea Devine (her real name) at over 100 pages. My first love scene didn't get that far, but it was still a hoot. My only regret with those books even though I really loved writing them is that I held back on the fantasy elements, and I haven't written the third book. Well, I'm fixing that with some major re-writes (I'm going for that record adding the magic) and the newest volume!
Let's move on to the titles that inspired me via blind, boiling rage and hatred. The first was the Ensnared series. Yes, this epic series full of fun characters and hot loving was one of the titles born of rage. I'm not going to get into a debate about pop culture influencing bad behavior. These are my own reactions to tropes that have impacted me or someone I know in profoundly negative ways. BDSM is wildly misunderstood by the general public thanks in large part to ridiculous depictions in various forms of media. This is especially true in Yaoi. I was new to the sub-genre when I first ran across Ai no Kusabi. While it wasn't the worst non-con I'd ever seen, it was the one with the prettiest characters and the most compelling voice performances. Thus, it was popular and often held up as representative of the entire genre. This was a problem for me because I was trying to expand the market for Yaoi fiction beyond straight women to include gay men. They rightfully had a problem with the tropes in that title and many others. What to do? When Jon runs across a book or film he doesn't like, he takes similar concepts and weaves a better tale. It is a long tradition in literature. Hemingway did it in Torrents of Spring. Joe Haldeman did it with The Forever War. I set out to turn the all-powerful Seme and the powerless uke love story on its head with a romance that made sense while indulging in lots of BDSM sexy time. Ensnared became way more than I expected, but I am enjoying the ride too much to give it up entirely.
The other title that fits in this category and the next is my response to a film that thankfully had limited distribution called The Pet though it also works as a response to the equally vile 50 Shades books and films. See below for a brief mention of The Proposal.
- Continuations of my own themes.
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The Proposal script never got past the treatment stage. My cancer diagnosis derailed it for a while. The success of 50 Shades made me rethink trying to make a controversial film first. I'm serializing a novel right now that I will release in installments as ebooks followed by a combined print book. If the series catches the right eyes, I still want to do a film.
- It's Jon's fault.
Somewhere during our many years together, Jon became my muse. He didn't do it on purpose. He just has this way of summing up something in a few words that make for a great starting point. In the Industry, it's called The High Concept (Miami Vice's High Concept pitch was MTV Cops, for example). He's directly responsible for Vampire Rent Boy. That happened while we were looking at a stock image website for art to go with The Companion. We came across the image of a pale face beauty in a top hat and vaguely Victorian clothing, and Jon said 'Vampire Rent Boy.' And I was off to the races. By the way, I really did hang out in a bar like Muttley's in Hoboken when I worked in Manhattan ages ago. A few doors down was the bakery that would be run by the Cake Boss years later. But I digress.
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This is my process – such that it is. To find all of my available titles, you can visit my Amazon Author page here: https://www.amazon.com/D.L.-Warner/e/B002BREP2O
Next Blog – Who are my characters based on? Where DOES that dialog come from?
Stay tuned!
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